This week, I am beginning my tenure as the Brizdle-Schoenberg Fellow for the University of Pennsylvania’s Workshop in the History of Material Texts. The Workshop dates back to the early 1990s, but we’re beginning the 2021–22 season with a few modern touches, such as a new hybrid setup. I will be presenting my own work in February 2022. Talks are archived on the Workshop website and Youtube channel.
I’m excited to announce the launch of Coding Codices, a podcast on digital approaches to medieval studies, which I am co-producing with other members of the Digital Medievalist Postgraduate Committee. New episodes will be released on the first Friday of every month.
For more information and a list of episodes, visit podcast.digitalmedievalist.org. We’ve also recorded a special episode for new listeners:
Coding Codices is the second podcast I’ve worked on during the past year. In the spring of 2020, I produced Northern Elements, a three-part documentary series about the natural materials of Canada. To listen, visit soundcloud.com/aylin-mal.
The presentation that I gave at the 12th Annual Schoenberg Symposium on Manuscript Studies in the Digital Age has been posted on the Schoenberg Institute’s Youtube channel. This video includes the entire talk (8:45-34:12), as well as the excellent presentations by Kelly Tuttle and Emily Steiner:
I’m very pleased to announce that my digital edition of an astronomical anthology at the University of Pennsylvania is now live at aylinmalcolm.com/ljs445. Features of this site include a collation visualization, sidebar annotations, and a series of curated “tour stops” highlighting the unusual characteristics of this deceptively unassuming manuscript.
This edition uses the Manicule web application, and was produced in collaboration with Whitney Trettien. To access its documentation or download the edition, visit https://github.com/avamalcolm/LJS445.
I recently appeared on an ecopoetry-focused episode of the PennSound Podcast Series, alongside Julia Bloch, Director of the Creative Writing Program; visiting poets Allison Cobb and Brian Teare; and fellow PhD student Knar Gavin. The episode, “New Writing Through the Anthropocene,” is available on the Jacket2 blog.
For a recording of Cobb and Teare’s reading at the Kelly Writers House the same night, see this KWH-TV video.
My curations for Hester Pulter’s poem “Universal Dissolution” are now available on the Pulter Project website. These short essays showcase secondary materials that offer context for Pulter’s poetry, from sea monsters and unicorns to early modern celestial cartography.
The Pulter Project is a wonderful initiative bringing wider recognition to a deserving seventeenth-century poet, and is well worth a close look.
On September 12th, I joined Prof. Emily Steiner to give a 60-Second Lecture about eleven medieval words that might be due for a comeback. For the full story, check out our interview in Omnia.
Last month, I recorded video orientations for two of my favourite manuscripts from the Schoenberg Collection at Penn. You can watch these on the Schoenberg Institute’s Youtube channel:
LJS 445 – Prenosticatio
LJS 497 – Canones vel operationes in operando quadrante
These manuscripts are drawn from my upcoming exhibit on medieval astronomy, which will be displayed at the Medieval Academy of America meeting in 2019. I am also building an online version of this exhibit at aylinmalcolm.com/astro.
All Posts: News Archive
I’m very pleased to be starting as the editorial assistant of Manuscript Studies, the journal of the Schoenberg Institute for Manuscript Studies at Penn. This biannual journal publishes essays, notes, and book reviews on premodern manuscripts from anywhere in the world.
I will also continue my work on the Schoenberg Database of Manuscripts, an open-access archive of linked data from manuscript catalogues. If you would like to participate in this project, you can read more about the history of the database, search its records, or sign up for your own account.